Essential Art & Culture: The L.A. Phil at 100, Plácido's L.A. decades, getting funny with Shakespeare

Saturday, 11 November 2017, 09:41:10 PM. The week's essential arts and culture news, including: the L.A. Phil's lavish anniversary and Placido Domingo's 50 years in L.A.

L.A. is awash in art and music and opera this week — featuring Chinese dissidents, roving aliens and feral little girls. I’m Carolina A. Miranda, staff writer for the Los Angeles Times, with the week’s essential culture stories:

THE L.A. PHIL AT 100

The Los Angeles Philharmonic held its first concert on Oct. 24, 1919. To mark its centennial, the 2018-19 season promises to be beyond lavish. This will include a new home for musical director Gustavo Dudamel’s YOLA youth education project designed by Frank Gehry, special programs led by former musical directors Zubin Mehta and Esa-Pekka Salonen, a tribute to African American composer William Grant Still, and an appearance by Dudamel in the 2019 Oscars ceremony. Like, whoa!

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 1 Genaro Molina / Los Angeles Times Gustavo Dudamel announces plans for the centennial season of the Los Angeles Philharmonic. Gustavo Dudamel announces plans for the centennial season of the Los Angeles Philharmonic. (Genaro Molina / Los Angeles Times)

“The sheer ambition of L.A. Phil should further inspire cautious arts organizations to think big,” writes Times classical music critic Mark Swed. “But it may also bring up some fears of one organization dominating the landscape.” Los Angeles Times

Plus, Richard S. Ginnell reviews the L.A. Phil’s performance of Ravel’s 50-minute opera “L’heure espagnole,” a work that the orchestra had never before performed — and which it will do so again on Saturday under the direction of Charles Dutoit. Los Angeles Times

On a related note: Do you find yourself in need of an animated GIF of Dudamel conducting? Times photographer Jay L. Clendenin and graphics journalist Joe Fox have got you covered.

A HALF-CENTURY OF PLACIDO IN L.A.

And since we seem to be on the subject of important anniversaries: Los Angeles Opera co-founder Plácido Domingo is marking the 50th anniversary of his Los Angeles debut. (LA Opera is celebrating with a gala.) Swed takes stock of the tenor’s legacy in Los Angeles and beyond. “I have the enthusiasm,” Domingo tells him. “I have the passion. I always say, when I hear, ‘the years are passing,’ I want them to pass. I don’t want them to stay.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 2 Myung J. Chun / Los Angeles Times Placido Domingo in the spring conducting LA Opera's production of "The Tales of Hoffmann." Placido Domingo in the spring conducting LA Opera's production of "The Tales of Hoffmann." (Myung J. Chun / Los Angeles Times)

Swed also reviews Keeril Makan’s “Persona,” currently being staged by the LA Opera at REDCAT. It was inspired by Ingmar Bergman’s 1966 film of the same name. “There is nothing groundbreaking musically or dramatically,” writes Mark Swed of the piece. “But what opera adds is a new psychological dimension.” Los Angeles Times

SOMETHING FUNNY

“Something Rotten!,” writes Times theater critic Charles McNulty, is a “light theatrical soufflé” that “sets out to pinion you with laughter.” The show, now playing at Segerstrom Hall in Costa Mesa, and soon making its way to the Ahmanson Theatre in Los Angeles, features a pair of Elizabethan playwrights, a number called “God, I Hate Shakespeare” and gags that involve “Hamlet” and omelets. “The prolonged farcical antics falter at moments,” writes McNulty, “but there’s always a spare kooky character to provide a lift.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 3 Jeremy Daniel Rob McClure and the company of "Something Rotten!" Rob McClure and the company of "Something Rotten!" (Jeremy Daniel)

ALIENS INVADE L.A.

“Citizens of the nation, I shall not try to conceal the gravity of the situation that confronts the country.” Those are the words from a beleaguered government official as aliens take over the streets of Los Angeles. If it sounds like the plot from Orson Welles’ infamous Martian invasion epic “War of the Worlds” — it is. Except it’s now an opera by Annie Gosfield that is being staged by Yuval Sharon inside and outside Disney Hall starting Sunday. “Part of what we hope to achieve with our audience,” Sharon tells The Times’ Jessica Gelt, “is that they realize the value of their own critical faculties in assessing what’s true and what’s fabricated.” Adds Gosfield: “Maybe a project like this inspires someone to voice an opinion artistically or politically that they wouldn’t otherwise." Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 4 Gary Coronado / Los Angeles Times The team behind "War of the Worlds": Yuval Sharon (from left), Annie Gosfield and Christopher Rountree. The team behind "War of the Worlds": Yuval Sharon (from left), Annie Gosfield and Christopher Rountree. (Gary Coronado / Los Angeles Times)

POSTMODERN ARCHITECTURE AT RISK

Illinois Gov. Bruce Rauner has announced plans to sell Chicago’s Thompson Center, designed by architect Helmut Jahn in 1985 — and it’s got the postmodernism preservationists worried. It’s an old story, writes Times architecture critic Christopher Hawthorne: “Building by important architect approaches middle age; falls out of fashion; suffers from deferred maintenance; begins as a result of deferred maintenance to lose whatever charm or verve it once had; falls further out of fashion; becomes demolition target.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 5 Nathan Eddy The colorful, riotous interior of Helmut Jahn's 1985 Thompson Center, as it appears in the new short documentary "Starship Chicago." The colorful, riotous interior of Helmut Jahn's 1985 Thompson Center, as it appears in the new short documentary "Starship Chicago." (Nathan Eddy)

GETTING IMMERSIVE

A gallery talk by a purported Chinese dissident that is also an immersive work of performance: The Times’ Daryl H. Miller attends the “wildly inventive” art installation/theater piece “Caught” at Think Tank Gallery that “leaves viewers with more questions than answers.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 6 Vincent Madero Chinese dissident artist Lin Bo, right — or is he really a performer named Louis Ozawa Changchien? — greets a visitor at the beginning of "Caught." Chinese dissident artist Lin Bo, right — or is he really a performer named Louis Ozawa Changchien? — greets a visitor at the beginning of "Caught." (Vincent Madero)

GALA TIME!

Filmmaker George Lucas and artist Mark Bradford were the guests of honor at the Los Angeles County Museum of Art’s Art + Film Gala. The Times’ Deborah Vankin was there for the uplifting speeches and the butternut squash agnolotti. Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 7 Donato Sardella / Getty Images for LACMA Mark Bradford (from left) with filmmaker George Lucas and LACMA director Michael Govan. Mark Bradford (from left) with filmmaker George Lucas and LACMA director Michael Govan. (Donato Sardella / Getty Images for LACMA)

Plus, Times fashion writer Adam Tschorn reports on all the fine duds that were rocked at the party. Los Angeles Times

IN THE GALLERIES

Times art critic Christopher Knight has been making the rounds. Up first: Adrián Villar Rojas’s “The Theater of Disappearance,” at the Museum of Contemporary Art — a work that meditates on the nature of cultural ruin. It’s a massive installation, that has taken over the sprawling Geffen Contemporary, reports Knight, “but the gigantism of the project far outpaces its slender rewards, which shrink further by comparison.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 8 MOCA A detail from Adrián Villar Rojas' "Theater of Disappearance" at MOCA. A detail from Adrián Villar Rojas' "Theater of Disappearance" at MOCA. (MOCA)

Knight found more to savor in Mike Kelley’s “Kandors” at Hauser & Wirth. Inspired by a reference to a shrunken city in a Superman comic, he reports that the works are remarkable for how they treat something that “would generally be considered a negligible throwaway subject with sincerity and discernment.” Los Angeles Times

Also on the docket: Luke Butler’s paintings and drawings at Charlie James Gallery. Knight is compelled by the drawings that record torn bits of obituaries of famous TV and film stars. Los Angeles Times

KIM DINGLE’S UNVARNISHED TRUTHS

In my career as a journalist, I had never once interviewed an artist and spent two solid minutes cry-laughing into the phone. Thankfully for us, that’s where Kim Dingle comes in. The L.A. painter, known for her depictions of feral little girls, has a show on view at Susanne Vielmetter Los Angeles Projects through Saturday. “That is the downfall for so many artists — the art market and too many galleries and all of those things,” she tells me. “It’s artists thinking, ‘Oh, they will like this.’ But what you’ve done is just jumped on your grief pole to hell.” Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 9 Carolina A. Miranda / Los Angeles Times Kim Dingle's one-woman show at Susanne Vielmetter Los Angeles Projects features ferocious little girls. Kim Dingle's one-woman show at Susanne Vielmetter Los Angeles Projects features ferocious little girls. (Carolina A. Miranda / Los Angeles Times)

PHOTOGRAPHING PAGEANTRY

Matthew Rolston has photographed the performers who star in the living tableaux in Pageant of the Masters in full makeup — and the results are surreal. Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 10 Matthew Rolston A detail from Matthew Rolston's "Frishmuth, The Dancers (#1)," 2016. A detail from Matthew Rolston's "Frishmuth, The Dancers (#1)," 2016. (Matthew Rolston)

IN OTHER NEWS...

— Lin-Manuel Miranda is taking “Hamilton” to storm-ravaged Puerto Rico. PRI

— Mexico’s churches took a big hit during the last major earthquake. PRI

— Snehal Desai, the new artistic director at East West Players, charts a new course for the organization involving a lot of collaborative partnerships. Los Angeles Times

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 11 Mel Melcon / Los Angeles Times Snehal Desai, the new artistic director at East West Players. Snehal Desai, the new artistic director at East West Players. (Mel Melcon / Los Angeles Times)

— Cuban artist Luis Manuel Otero Alcántara was detained then released after planning an alternate exhibition to the Havana Biennial. Hyperallergic

— Benjamin Genocchio has been replaced as director of the influential New York art fair, the Armory Show, after being accused of sexual harassment. New York Times

— Bruce Kaji, a founder of the Japanese American National Museum in Los Angeles, has passed away at the age of 91. Los Angeles Times

— HM157 co-founder Charon Nogues departs the Lincoln Heights arts space. LA Weekly

— The Van Gogh painting with a grasshopper stuck in the paint. Architectural Digest

— A grime-encrusted object ended up being a priceless Grecian artifact evoking “The Iliad” and “The Odyssey.” New York Times

— You can experience Kerry James Marshall’s exhibition at MOCA on an Oculus headset. VR’t Ventures

— Taking a dance class with Misty Copeland. New York Times

AND LAST BUT NOT LEAST…

Illustrations of people who want artists to work for free. Dangerous Minds

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essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 12 CAPTION

Film composer Tyler Bates demonstrates the GuitarViol -- a cross between a guitar and a violin. He has used the instrument on numerous projects, including "300" and Marvel's "Guardians of the Galaxy."

Film composer Tyler Bates demonstrates the GuitarViol -- a cross between a guitar and a violin. He has used the instrument on numerous projects, including "300" and Marvel's "Guardians of the Galaxy."

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 13 CAPTION

Film composer Tyler Bates demonstrates the GuitarViol -- a cross between a guitar and a violin. He has used the instrument on numerous projects, including "300" and Marvel's "Guardians of the Galaxy."

Film composer Tyler Bates demonstrates the GuitarViol -- a cross between a guitar and a violin. He has used the instrument on numerous projects, including "300" and Marvel's "Guardians of the Galaxy."

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 14 CAPTION

"Suburbicon" star Julianne Moore and director George Clooney stopped by the L.A. Times studio at the Toronto International Film Festival to discuss their new film.

"Suburbicon" star Julianne Moore and director George Clooney stopped by the L.A. Times studio at the Toronto International Film Festival to discuss their new film.

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Universal Studios pulls out the knives, axes and pig heads to scare you silly

Universal Studios pulls out the knives, axes and pig heads to scare you silly

essential-art--and--culture-the-la-phil-at-100-placido-and-apos;s-la-decades-getting-funny-with-shakespeare photo 16 CAPTION

A sneak peek at Yayoi Kusama's "Infinity Mirrors" exhibit at the Broad. It runs from Oct. 21 to Jan. 1.

A sneak peek at Yayoi Kusama's "Infinity Mirrors" exhibit at the Broad. It runs from Oct. 21 to Jan. 1.

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L.A. Times photo shoot with Ai Weiwei

L.A. Times photo shoot with Ai Weiwei

carolina.miranda@latimes.com

@cmonstah

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